FAMILY TIES
Dark family bridges generations by carrying
on their Streng-to-Eichler modern lifestyle
From the pages of the Eichler Network newsletter
By David Weinstein
John Dark inherited more from his mother Loretta than an artistic sensibility. He inherited a love for the best modern architecture that suburbia has to offer. Dark grew up in the Sacramento Valley in a modern home built by Streng Bros. Homes. And when it came time to raise a family of his own, he chose an Eichler model in the East Bay.
For four years Dark has been meticulously restoring his 1959 Eichler in Walnut
Creek's Rancho San Miguel development, stripping wallpaper from mahogany plywood
and repainting the exterior in its original exterior shade. He's also serving as
a good influence on his neighbors, like the newcomers who took one look at their
original mahogany walls and thought "white paint." "I told them to hold off,
wait six months and then decide," Dark says. Five months later Dark's neighbors
were restoring the mahogany.
Dark's commitment to Eichler style harks back to his childhood. He was raised in
a semi-custom home of similar design by architect Carter Sparks and constructed
by Jim and Bill Streng for his parents in 1976. Loretta Dark still lives in the
family home in Woodland, a prosperous Yolo County farming community west of
Sacramento. She's turned the home into an Asian fantasyland that's whimsical,
soothing, and livable. Her son has brought much of his mother's style to his own
home.
Visiting them suggests just how creative a homeowner can get with a modern home
like an Eichler or a Streng without compromising architectural integrity. It
also suggests how well Asian style works with modern California architecture.
But this is more than a mother-son story. John's uncle and Loretta's brother,
Larry Fernandez, helped design Loretta's interior and garden. A well-known
interior designer who died 18 years ago at age 38, Fernandez, by way of his
artwork, design, and spirit, remains alive both in Loretta's home and her son's.
'Architectural Digest' twice ran features about Fernandez's work, which it
praised for its "subtle complication that exists in good Japanese design." "He
was a painter," Loretta says of her brother. "A landscape architect. He was an
all-purpose, all-around genius, is what I'm telling you." Loretta and Larry grew
up in Woodland, and Loretta taught for many years at a nearby elementary school.
Both homes have always functioned as family homes more than artistic statements.
Loretta Dark and her former husband raised two boys in their home. John and his
wife Stephanie have a five-year-old son and two-year-old daughter. The homes are
both peaceful and contemplative, and serve as places for active living. Loretta
says her goal in designing the interior and gardens and sitting room into the
garden beyond.
But most remarkable of all is the 'river,' a dry stone-filled waterway up to
three feet deep that starts at the entryway and winds its way through the house,
disappearing beneath the flooring and reappearing in the backyard garden.
Although it's water-less, the river adds a feeling of flow, of something hidden
and otherworldly. "The children loved it," Loretta says. "They pretended to go
fishing in it. They would climb in it." And no one ever fell in.
Asian artwork, bonsai, ceramics, and modern furniture chosen or created by
Fernandez, and his abstract paintings fill the house. He chose many of the
materials, including the matte-finished Japanese tile in the kitchen and hallway
and black mirrored glass on one dining area wall. Much of the art was collected
by Fernandez during his trips to Asia. "I love dragons," Loretta says, "so my
brother found this dragon screen for me." Loretta keeps a little shrine to her
brother's memory in a drawer of a hanging cabinet Fernandez designed. Loretta's
office is also something of a shrine. She does her paperwork on Larry's old
desk, a svelte modern rolltop.
It was Fernandez who introduced Loretta to Streng homes in the mid-1970s by
taking her to a model. Loretta fell in love with the Streng atrium which, unlike
its Eichler counterpart, is not open to the air but is simply a glass-covered,
earthen-floored interior section near the entry. "I had never been in a home
where you could have living plants growing up from the dirt." Soon Loretta and
Fernandez were hunched over a table with the Streng brothers, asking for changes
in the floor plan and less space for planting to provide more room for her kids
to play. "They were delightful," Loretta recalls of the Strengs. "They were
willing to make any changes that were wanted."
The Darks' first Streng home was built on the American River in Sacramento.
Eight years later the Darks moved to Woodland and essentially brought the house
with them by having the Strengs recreate it, Loretta says, "except I did all the
things right that bothered me about the first one." It was the first Streng home
in Woodland, and is not part of a Streng subdivision. Several small Streng
neighborhoods were later built in town.
Loretta remembers how they created the garden of their Woodland home, a rich
tapestry of dry river, a fish pond, winding walkways, flower gardens, trellised
dining and sitting areas, granite Japanese lanterns, wooden bridges, Buddhas,
mugo pines, heavenly bamboo and elephant ears, and well-tuned tubular bells.
"Larry came and took a stick and said you should have a pond right through here,
a dry pond. My dad and I, we got the shovels and dug it out."
One of the garden's treasures looks like an authentic Asian bell. It actually
comes from the old Nut Tree, once a popular restaurant on Interstate 80. "I
always wanted that bell. They would never sell it because it was always part of
their décor," Loretta says. When the Nut Tree went out of business, she
says, "I was there to get that bell. It has the most beautiful sound."
John Dark, a marketing manager, believes his love of fine design may be genetic.
He mentions a great-grandmother who was so fanatic about her lawn that she'd
clip rough spots with scissors. But, he says, "Growing up in a Streng home is
one of the reasons I wanted an Eichler." In 2000, Dark and his wife Stephanie
spent four months searching for an Eichler home in the East Bay, knocking on
owners' doors and even printing up an 'Eichler wanted' poster before finding
their three-bedroom, 1,300-square-foot home in Rancho San Miguel -- with the
help of the realtors' Multiple Listing Service.
The 1959 home (architects Jones & Emmons plan 943) has a flat roof, a
courtyard garden, and a zigzag overhang over the entry. The floor plan is intact
and the garden is large, but the 1980s kitchen remodel has got to go, Dark vows.
Both John and Stephanie work, and the kids keep them busy, so the home hasn't
achieved its ultimate Darkian effect.
But John has put in a dry pond overlooked by a Japanese lantern and by a water
sprite sculpted by the home's former owner. There are Buddhas beneath trees, and
his uncle's paintings can be found throughout. None of the improvements will
ever overshadow the home's architectural integrity, however. "We hope to restore
this house to its original look and feel," John says. "I believe in restoration
more than remodeling."
Discover more about Sacramento's Streng homes at the Eichler Network's Streng Homes Headquarters.
All photos by David Toerge
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